Tag Archive: Film Festival

Europe’s largest Indian film festival returns

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The Bagri Foundation London Indian Film Festival, regarded as Europe’s largest Indian film festival returns for its 8th edition from 22-29 June.

A new and exciting selection of fabulous cutting-edge films reaffirm the festival’s position as the ‘punk-rock of Indian cinema’.

As an edgy tie-in, to UK-India Year of Culture and complementing the BFI’s India on Film programme, the festival opens on 22nd June at the BFI Southbank with the red carpet premiere of the historical epic, The Black Prince by Kavi Raz. The film dramatises the little-known story of the last King of Punjab who was abducted by the British Raj to be mentored by Queen Victoria.

This powerful UK-produced film was launched at Cannes, and stars Indian music singer Satinder Sartaaj, iconic actress Shabana Azmi (The Reluctant Fundamentalist, Fire), Jason Flemyng (Lock Stock and Two Smoking Barrels) and Amanda Root (Jane Eyre).

Back into the 21st Century for the closing night, on 29th June, BFI Southbank rocks again with the surreal Malayalam road-movie thriller Sexy Durga set in Kerala, directed by Sanal Kumar Sasidharan, which this year won the prestigious Tiger Award for best film at Rotterdam. A tale of a hitch-hiking couple accidentally getting into the car of deranged gangsters and trying to escape a road to hell.

The Bagri Foundation London Indian Film Festival continues to not simply reflect what's happening in South Asian cinema but instead sparks cutting edge debate through special events, the Satyajit Ray short film award, and ICON awards.

LIFF highlights emerging talent and champions lesser known great film makers through the awards presentations. Meanwhile, the festival’s special events recognise the full diversity of film making and South Asian experience from remembering LGTQ+ activism via the works of British Asian auteur and activist, Pratibha Parmar, to cutting edge 21st Century Indian virtual reality film making.

The programme will also explore the impact of Brexit on British Asian and other BAME film makers as well as preview the new Indian-UK co-production The Hungry, helmed by Bornila Chatterjee, based on Shakespeare's Titus Andronicus.

Cary Rajinder Sawhney, LIFF Director, says: “We are delighted to bring London audiences a carefully curated selection of the very best new Indian and South Asian independent cinema; all films are English subtitled, offering a rare window into over a billion South Asian lives.

“This year's selection includes premieres of new comedies, gripping thrillers, shocking horror and insightful true life documentaries as well as bringing together UK previews of major award-winning films from the world's greatest film festivals."

Title Sponsor Dr Alka Bagri of the Bagri Foundation adds: "We are excited to celebrate with LIFF the art of Indian independent cinema in this UK India Year of Culture.

“This year’s programme is a vibrant and diverse mixture of films which explore all aspects of human experience, tackling hard-hitting issues through fiction and documentary. LIFF continues to offer stimulating talks, bringing together important figures of the LGBTQ+ community, and to propose the timely and critical discussion around the futures of artists and filmmakers in the face of Brexit."

The festival also takes place in Birmingham for a third year, with a rebrand as the Birmingham Indian Film Festival, from 23 June-2nd July, marking the Festival’s permanent commitment to the region.

Screenings will take place at Midlands Arts Centre mac, Cineworld Broad Street and The Mockingbird. The festival will show highlights of the London programme including opening night with The Black Prince and closing night with Sexy Durga.

The Birmingham programme is in partnership with the citywide USTAV Festival of South Asian culture.

Following the festival, selected LIFF films will be made available on the BFI’s VOD service, BFI Player. For more, visit

New face of Asian cinema

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Hari Viswanath

A film from outside Bollywood’s traditional trends, reflecting generational gaps in India was among the works showing new trends of Asian cinema at this year's Busan International Film Festival.

Hari Viswanath, director of ‘Radio Set’, wanted to make a "realistic" Indian movie reflecting the current society, not the conventional Bollywood films of melodrama and dance.

Unlike many other Indian movies played at the festival, his work is in the Tamil language spoken in southern India. But Viswanath believes that the movie can resonate globally.

‘Radio Set’ shows an endearing old man, who, after losing his deeply attached old-style radio that he received from his late father, develops relationships with a neighboring kid, a colleague and an old man on the street.

While using some elements of fantasy, the work offers a glimpse into the current Indian society with generation gaps between a father and a son.

"I used to see an old man on the road who is partially deaf and alone. I used to wonder what made him isolated and why?" he said. "So once my friend and I were discussing about a hearing aid problem and each one of us were talking about our grandfather. That's where I recollected the memories of my grandfather with his radio set."

The 36-year-old said he represented a growing number of new Indian filmmakers who would like to show the world movies outside the Hindi-based Bollywood film industry that often feature surprise songs and dance scenes and heavy melodrama.

"There are, I would say, more newcomers, new generations of directors," he said. These new Indian movies, such as his "Radio Set," show what is "actually happening now" in India.